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VELAZQUEZ, Diego Rodriguez de Silva y Prince Baltasar Carlos with the Count-Duke of Olivares at the Royal Mews c. 1636
Oil on canvas,
144 x 96,5 cm
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VELAZQUEZ, Diego Rodriguez de Silva y Portrait of a Man Form: painting c. 1649
Oil on canvas,
76 x 64,5 cm
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VELAZQUEZ, Diego Rodriguez de Silva y Horseman picture Philipps IV mk178
1634-1636
oil on linen
317x304cm
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VELAZQUEZ, Diego Rodriguez de Silva y Las Meninas or The Family of Philip IV 1656-57 Oil on canvas, 318 x 276 cm
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VELAZQUEZ, Diego Rodriguez de Silva y The three man beside the table mk236
1618
Oil on canvas
108.5x102cm
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VELAZQUEZ, Diego Rodriguez de Silva y John at the Piter mk237
1619
Oil on canvas
135.5x102.2cm
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VELAZQUEZ, Diego Rodriguez de Silva y Tomas mk237
1618-20
Oil on cavnas
95x73cm
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VELAZQUEZ, Diego Rodriguez de Silva y Paul mk237
1619-1620
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y Paul mk237
Oil on canvas
38x29cm
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VELAZQUEZ, Diego Rodriguez de Silva y Paul mk236
123x132.5cm
1620
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VELAZQUEZ, Diego Rodriguez de Silva y Unknown man mk237
1620
Oil on canvas
207x148cm
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VELAZQUEZ, Diego Rodriguez de Silva y Robe mk237
1620
Oil on canvas
166x120cm
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VELAZQUEZ, Diego Rodriguez de Silva y Vestal mk237
1620
Oil on canvas
160x110cm
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VELAZQUEZ, Diego Rodriguez de Silva y Vestal mk237
1620
oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y The man wearing beard mk237
1620-2
oil on canvas
41x36cm
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VELAZQUEZ, Diego Rodriguez de Silva y Two boy beside the table mk237
1622
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y Unknown man mk237
1622
Oil on canvas
50.3x40.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Priest mk237
Oil on canvas
1622-23
66.5x51cm
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VELAZQUEZ, Diego Rodriguez de Silva y Filipu mk237
1623-1624
Oil on canvas
61.6x48.2cm
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VELAZQUEZ, Diego Rodriguez de Silva y Portrait of Young man mk237
1623
Oil on canvas
56x39cm
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VELAZQUEZ, Diego Rodriguez de Silva y
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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